Thursday, August 14, 2008

KISS Unmasked 1983-1995

Unmasking and rebound (1983–1995)
Sensing it was time for a change, Kiss made the decision to abandon their trademark makeup and costumes. They officially appeared in public without makeup for the first time on a September 18, 1983 appearance on MTV, which coincided with the release of the band's new album, Lick It Up..[46] The tour showing off the new album and the unmasked band members started off at Lisbon, Portugal, on the 11th of October, 1983, at Pavilhão de Cascais, their first concert ever without makeup.
Lick It Up became Kiss's first gold record in three years, but the tour was even more sparsely attended than the one for Creatures of the Night. Due to quickly rising tensions between Vincent and the rest of Kiss (particularly Simmons and Stanley), Vincent was fired at the conclusion of the tour in March 1984 - he was never even made an official member of Kiss to begin with, as a contract making his employment official was never signed. His replacement was Mark St. John (born Mark Norton on February 7, 1956 in Hollywood, California), a session player and guitar tutor.[47]
With St. John on board, Kiss released Animalize on September 13, 1984. Animalize followed the success of Lick It Up, and with the video for Heaven's on Fire being played often on MTV, Animalize was the band's best-selling record in America, during the decade. With the success of the album and subsequent tour, Kiss had recaptured some of their earlier glory (though not to the level of their '70s heyday). St. John, however, was soon taken ill with Reactive arthritis during tour rehearsals, and only performed at a handful of shows. He was fired from Kiss in December 1984 and replaced by Bruce Kulick (born December 12, 1953 in Brooklyn), making him Kiss's fourth lead guitarist in three years.[48] One of the first concerts Bruce played was in Detroit, Michigan's Cobo Hall. It was filmed for the MTV special Animalize Live. This was later released as the band's first home video (Animalize Live: Uncensored).
The lineup of Stanley, Simmons, Carr, and Kulick turned out to be the most stable since the original, and for the rest of the 1980s Kiss released a series of platinum albums—1985's Asylum, 1987's Crazy Nights and the 1988 greatest hits compilation Smashes, Thrashes & Hits. Crazy Nights, in particular, was one of Kiss's most successful albums overseas. The single "Crazy, Crazy Nights" (sample (info)) reached #4 on the singles chart in Britain, the highest showing to date for a Kiss song.[49]
Kiss ended the '80s with the 1989 release Hot in the Shade. Although the album failed to achieve platinum status, it spawned the early 1990 hit ballad "Forever," co-written by Michael Bolton. Peaking at #8, it was the group's highest-charting single since "Beth" and was the band's second Top 10 single.[49]
During these non-makeup years, Kiss struggled with their identity and fan base. Simmons, arguably the dominating force in Kiss during the '70s, became less involved with the group in the '80s as he pursued outside interests; most notably, a film career. After the band's unmasking, he struggled with the loss of the Demon persona. During this time, Stanley became the driving force in Kiss, as well as their most prominent member.[50][51]
The band decided to once again enlist Bob Ezrin to produce their first album of the 1990s. Before recording could begin in earnest, however, tragedy struck. In March 1991, it was discovered that Eric Carr had a tumor on his heart. It was successfully removed in an April surgery, but more tumors were soon discovered in his lungs. Carr received chemotherapy and was pronounced cancer-free in July. In September, he was hospitalized after suffering the first of two cerebral hemorrhages. He died on November 24, 1991 at the age of 41 (the same day as Freddie Mercury).[52][53]
Though devastated, Kiss continued, bringing in former Black Sabbath, Gary Moore, Lita Ford, and Alice Cooper drummer Eric Singer (born Eric Mensinger on May 12, 1958 in Cleveland, Ohio). Singer has a connection with the group, having played in Paul Stanley's backing band during his 1989 club tour.
Kiss released Revenge on May 19, 1992. It featured a leaner, harder-edged sound, as indicated by the first single, "Unholy" (sample (info)). In a surprise move, Kiss enlisted the aid of Vinnie Vincent for songwriting duties. The album debuted in the Top 10 and went gold. Kiss embarked on a brief club tour of the U.S. in the spring of 1992, before beginning an American arena tour in September 1992. Kiss followed with the release of Alive III (May 14, 1993), which was recorded during the Revenge tour. Four days later, KISS was inducted into the RockWalk of Fame in Hollywood.[54]
During this period, Kiss nostalgia started to pick up steam. June 1994 saw the release of Kiss My Ass: Classic Kiss Regrooved, a compilation album featuring popular artists of the era putting their own spin on Kiss songs. The result was an eclectic mix, featuring Lenny Kravitz's funky version of "Deuce" (with Stevie Wonder on harmonica), a ska punk version of "Detroit Rock City" by the Mighty Mighty Bosstones, and Garth Brooks' straightforward take on "Hard Luck Woman," with Kiss as his backup band. In 1995, the group released Kisstory, a 440-page, nine-pound, detailed chronicling of the group's history to that point. That same year, the band embarked on a unique and well-received Worldwide Kiss Convention Tour. The conventions were all-day events, featuring displays of vintage Kiss stage outfits, instruments, and memorabilia, performances by Kiss cover bands, and dealers selling Kiss merchandise from every stage of the band's career. Kiss appeared live at the conventions, conducted question and answer sessions, signed autographs and performed a two-hour acoustic set composed mostly of spontaneous fan requests. On the first U.S. date (June 17, 1995) Peter Criss appeared onstage with Kiss to sing "Hard Luck Woman" and "Nothin' to Lose." It was the first time Criss had performed publicly with the band in nearly 16 years.[55][56]
On August 9, 1995, Kiss joined the long line of musicians to perform on MTV Unplugged. The band contacted Criss and Frehley and invited them to participate in the event. Both joined Kiss on stage for several songs at the end of the set–"Beth," "2000 Man," "Nothin' to Lose," and "Rock and Roll All Nite."[57] The Unplugged appearance set off months of speculation that a possible reunion of the original Kiss lineup was in the works. In the weeks following the Unplugged concert, however, the band (with Kulick and Singer), returned to the studio for the first time in three years to record a followup to Revenge. Carnival of Souls: The Final Sessions was completed in February 1996, but its release was delayed for almost two years. Bootleg copies of the album circulated widely among fans.[58]
While Kiss continued to exist publicly as Simmons, Stanley, Kulick, and Singer, arrangements for a reunion of the original lineup were in the works. These efforts culminated with a public event as dramatic as any the band had staged since their 1983 unmasking on MTV.

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